
Personal Info
Birthday
January 4, 1932
Place of Birth
Huesca, Aragón, Spain
Known For
Directing
Carlos Saura
Biography
Carlos Saura Atarés (4 January 1932 – 10 February 2023) was a Spanish film director, photographer and writer. With Luis Buñuel and Pedro Almodóvar, he is considered to be among Spain's great filmmakers. He had a long and prolific career that spanned over half a century, and his films won many international awards. Saura began his career in 1955 making documentary shorts. He gained international prominence when his first feature-length film premiered at Cannes Film Festival in 1960. Although he started filming as a neorealist, Saura switched to films encoded with metaphors and symbolism in order to get around the Spanish censors. In 1966, he was thrust into the international spotlight when his film The Hunt won the Silver Bear at the Berlin International Film Festival. In the following years, he forged an international reputation for his cinematic treatment of emotional and spiritual responses to repressive political conditions. By the 1970s, Saura was the best known filmmaker working in Spain. His films employed complex narrative devices and were frequently controversial. He won Special Jury Awards for Cousin Angelica (1973) and Cría Cuervos (1975) in Cannes, and he received an Academy Award for Best Foreign Language Film nomination in 1979 for Mama Turns 100. In the 1980s, Saura was in the spotlight for his Flamenco trilogy – Blood Wedding, Carmen and El amor brujo, in which he combined dramatic content and flamenco dance forms. His work continued to be featured in worldwide competitions and earned numerous awards. He received two nominations for Academy Awards for Best Foreign Language Film for Carmen (1983) and Tango (1998). His films are sophisticated expression of time and space fusing reality with fantasy, past with present, and memory with hallucination. In the last two decades of the 20th century, Saura concentrated on works uniting music, dance and images.
Directed Movies (53)

The Walls Can Talk

The King of All the World
Goya, May 3rd

Rosa Rosae. A Spanish Civil War Elegy

Renzo Piano, an Architect for Santander

J: Beyond Flamenco

Argentina

Flamenco Flamenco

I, Don Giovanni
Sinfonía de Aragón

Fados

Iberia

The 7th Day
Salomé

Bunuel and King Solomon's Table

Goya in Bordeaux

Tango

Little Bird

Taxi

Flamenco

Outrage
Cuentos de Borges

Marathon
El sur
Sevilles

The King of Ads

Ay, Carmela!

The Dark Night of the Soul

El Dorado

El amor brujo

The Stilts

Carmen

Antonieta

Sweet Hours

Faster, Faster

Blood Wedding

Mama Turns 100

Blindfolded Eyes

Elisa, My Life

Cria!

Cousin Angelica

Anna and the Wolves

The Garden of Delights

Honeycomb

Stress Is Three

Peppermint Frappé

The Hunt

Weeping for a Bandit

The Delinquents
Cuenca
La tarde del domingo
El pequeño Río Manzanares
La llamada
Acting Filmography (30)

The Kid in the Photo - Carlos Saura

Miradas del cine español

The Walls Can Talk

Donde acaba la memoria

Goya, Carrière & the Ghost of Buñuel
Goyasaurio

Searching for Ingmar Bergman

Navajeros, censores y nuevos realizadores

Saura(s)
Carlos Saura - Fotograf
Matilde Coral, acariciando el aire

Eduardo Ducay: el cine que siempre estuvo ahí
Tras Nazarin: Following Nazarin
Aragón rodado

Carlos Saura's FlamencoHoy
24 horas en la vida de Querejeta
Rafael Azcona

In the Lost City

Critic
Antonio Gades, la ética de la danza
Pablo G. del Amo, un montador de ilusiones
Portrait of Carlos Saura

Speaking of Buñuel
Les paradoxes de Buñuel
Lo + plus
Buñuel
Ciné regards
Les Rendez-vous du dimanche
