
Personal Info
Birthday
June 6, 1950
Place of Birth
Brussels, Belgium
Known For
Directing
Chantal Akerman
Biography
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Directed Movies (61)

No Home Movie
Now

My Mother Laughs Prelude

Almayer's Folly

Maniac Summer
East with Sonia Wieder-Atherton
The State of the World
Nightfall in Shanghai
Interview with Babette Mangolte
Interview with my mother, Natalia Akerman

Down There

Tomorrow We Move
Making of Tomorrow We Move
With Sonia Wieder-Atherton

From the Other Side

The Captive

South

Chantal Akerman by Chantal Akerman
The Day When...

A Couch in New York

Portrait of a Young Girl at the End of the '60s in Brussels

All the Boys and Girls of Their Time

From the East

Moving In

Lest We Forget

Night and Day

For Febe Elisabeth Velasquez, El Salvador

American Stories: Food, Family and Philosophy

One Day Pina Asked...
Franz Schubert's Last Three Piano Sonatas

Three Stanzas on the Name of Sacher

Golden Eighties

Seven Women, Seven Sins

Portrait of a Lazy Woman

Mallet-Stevens Street

Letters Home

The Hammer

The Eighties

Family Business

Letter from a Filmmaker: Chantal Akerman

I'm Hungry, I'm Cold
Paris Seen By... 20 Years After

The Man with the Suitcase

Toute une nuit

Tell Me
Grands mères

The Meetings of Anna

News from Home

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Je Tu Il Elle

Hotel Monterey

Le 15/8

Hanging Out Yonkers

La chambre

The Beloved Child, or I Play at Being a Married Woman

Saute ma ville
Knokke: une petite fiction
Bruxelles: La soeur et la mère de Marilyn
Knokke: une petite fiction 2
Bruxelles: à la Foire du Midi
Examen d'entrée INSAS
Acting Filmography (53)

Chantal Akerman: Always on the Road

In Her Own Words
Autour de La Folie Almayer
Morceaux de Cannes
Son chant

Delphine and Carole

Porto

But Elsewhere Is Always Better

No Home Movie

I Don't Belong Anywhere: The Cinema of Chantal Akerman

Chantal Akerman

What Is Cinema?

My Mother Laughs Prelude
Guest
Chantal Akerman, From Here

Maniac Summer
The Art of Time
Interview with Babette Mangolte
Interview with my mother, Natalia Akerman

Down There
Chantal Akerman, an autobiography
Making of Tomorrow We Move

From the Other Side

Birth of a Nation

Chantal Akerman by Chantal Akerman
The Day When...
Pictures of Europe

One Day Pina Asked...

The Ministries of Art
Calling the Shots

Seven Women, Seven Sins

Portrait of a Lazy Woman

Mallet-Stevens Street

She Spent So Many Hours Under the Sun Lamps

Family Business

Letter from a Filmmaker: Chantal Akerman

De droomproducenten

The Man with the Suitcase

Tell Me
Grands mères
Ciné regards

News from Home

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
Chantal Akerman: An Interview
Les Rendez-vous du dimanche

Autour de Jeanne Dielman

Je Tu Il Elle

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

La chambre

The Beloved Child, or I Play at Being a Married Woman
